As a
series of paintings, conjured up by the former Most Hated Man in The World and
five-time World Douche of the Year, George Bush, is released to a chorus of
exasperated groans, art critics are unanimous in their view that the works
reveal Bush’s true personality. However, instead of tapping into a childlike
state that lies deep and dormant in the recesses of his personality, Bush’s
work is able to exploit the childlike state that is conveniently on the
surface.
“Oh he
has used his work to really show us who he is, like going through a process of spiritual
regression to reach one’s fundamentalities, and I for one, love it,” said
broadsheet art-critic, Foolah Krapp, whilst he/she drank/ate a cocktail/beer
served in a man/woman’s hat, “With George he doesn’t need to regress, his
fundamentalities are on the surface! He’s a child! It’s just amoriphicly
fantabulicious, indubitably.”
Bush’s
works have already attracted several high-profile customers, with aging
megalomaniac Rupert Murdoch rumoured to have offered ten million US dollars for
Bush’s self-portrait. Sources close to Murdoch claim that the Australian media
tycoon plans to hang the portrait in the same room that he houses his life-size
waxwork of Margaret Thatcher, on the opposite wall to a series of sketches of
a nude Rebekah Brooks. Other rumoured customers are former prime-minister and
career bullshit-merchant, Tony Blair, and current Arsenal manager Arsene
Wenger.
From the collection: 'Selfies' |